A Millions Most Anticipated Book of 2021
A USA Today Book Not to Miss
Real Estate is the third and final installment in three-time Booker Prize nominated Deborah Levy’s Living Autobiography series: an exhilarating, thought-provoking and boldly intimate meditation on home and the specters that haunt it in our patriarchal society.
“Three bicycles. Seven ghosts. A crumbling apartment block on the hill. Fame. Tenderness. The statue of Peter Pan. Silk. Melancholy. The banana tree. A love story.”
Virginia Woolf wrote that in order to be a writer, a woman needs a room of one’s own. Now, in Real Estate, acclaimed author Deborah Levy concludes her ground-breaking trilogy of living autobiographies with an exhilarating, boldly intimate meditation on home and the specters that haunt it.
In this vibrant memoir, Levy employs her characteristic indelible writing, sharp wit, and acute insights to craft a searing examination of womanhood and ownership. Her inventory of possessions, real and imagined, pushes readers to question our cultural understanding of belonging and belongings and to consider the value of a woman’s intellectual and personal life.
Blending personal history, gender politics, philosophy, and literary theory, Real Estate is a brilliant, compulsively readable narrative.
About the Author
Deborah Levy trained at Dartington College of Arts before becoming a playwright. Her plays include Pax, Heresies, Clam, Call Blue Jane, Shiny Nylon, Honey Baby Middle England, Pushing the Prince into Denmark and Macbeth-False Memories. She has also written some novels and was a Fellow in Creative Arts at Trinity College, Cambridge from 1989-1991.
“Wonderful… Levy, whose prose is at once declarative and concrete and touched with an almost oracular pithiness, has a gift for imbuing ordinary observations with the magic of metaphor… the ordinary stuff of modern life, made radiant by Levy's clarifying prose. But Levy never lets us lose sight of how extraordinary, both historically and personally, her casual, roving freedom truly is.” —Alexandra Schwartz, The New Yorker
“[Levy's] writing is elliptical and episodic, as if tracing the movement of her mind. But it's clearly crafted, with ideas recurring and expanding as the book goes on. And for all we see of her moving through the world and her work, her discussion of the places she writes and mentions of the machines she's written on, she doesn't portray herself in the act of writing. The book feels as if we're listening in on her very thoughts, and yet those thoughts are composed off-screen.” —Carolyn Kellogg, Boston Globe
“Beautifully written ... A captivating journey to find a sense of place.” —Kirkus Reviews
“Levy's fictional books are often nominated for the Booker Prize - and they are excellent. But her autobiographies as a working writer will go down as blueprints for living.” —Donna Liquori, Albany Times-Union
“The third and final book of Deborah Levy's 'living autobiography' takes on the idea of home and houses in many iterations: the haunted, the literary, and what homespace means to a woman writer. Levy considers much about unreal estate too, as the narrator collects her fantasy dream homes…And in essence, puts forth what has always been at the heart of this project, 'to embody and make present a female mind.'” —The Millions
“Home means different things to different people. For you, it might be where you were born or grew up. It might be your chosen home. In Deborah Levy's latest meditation on living, she explores what possessions and property mean and how they can define us.” —Bustle
“[Levy] is an indelible writer . . . [an] elliptical genius . . . The Cost of Living . . . is always a pleasure to consume.” —Dwight Garner, The New York Times, on THE COST OF LIVING
“An astute observer of both the mundane and the inexplicable, Levy sketches memorable details in just a few strokes.” —Yiyun Lee, The New York Times Book Review, on THE COST OF LIVING
“A smart, slim meditation on womanhood informed by Levy's wide reading.” —Maureen Corrigan, NPR's “Fresh Air”, on THE COST OF LIVING
“Unclassifiable, original, full of unexpected pleasures at every turn. ... Delivered in gorgeous, disciplined prose, Deborah Levy has crafted a bracing, searing inquiry into one woman's life that manages to tell the truth of all women's lives.” —Dani Shapiro, on THE COST OF LIVING
“Excellent … playful, candid … a supremely elegant exploration …. It is vibrant and kinetic, never predictable and yet always direct. Like all Levy's books, it is as good on the second read as the first, if not better. Few writers are able to give so much so swiftly. Levy's hospitality on the page is a delight.” —Lily Meyer, NPR.org
“Her bracing trio of memoirs — which began with ‘Things I Don’t Want to Know’ in 2013, continued with ‘The Cost of Living’ in 2018, and now concludes in fine form with ‘Real Estate’ — explores questions of female autonomy and self-realization (although the author would never describe it in such clinical terms) …It’s Levy’s openness to the quirks and peccadilloes of others — including her best male friend, headed into his third divorce after a dalliance with a much younger woman — that makes Levy’s work so invigorating. She’s a prober, but not a heavy-handed one …Her prose is at once playful and multilayered.” - Heller McAlpin, Los Angeles Times
“Levy’s trio of memoirs ... are undoubtedly pleasant places to spend time. Levy’s wry humor and attention to the art of living make her good company on the page, with wisdom weaved in from her touchstone authors, including James Baldwin, Walter Benjamin, and Leonora Carrington.” - Mia Levitin, Los Angeles Review of Books
“As in the other volumes, Levy explores the entwining of writing and life …The memoir is a careful balancing act of withholding and revelation. Levy uses the other characters she encounters as a way to refract her own point of view.” - Megin Jiminez, Chicago Review of Books
“This latest effort is a testament to just how immersive and compelling Levy’s writing can be.” - Man of LA Book blog
"Reading Levy is to wander through a lush, associative landscape, where time telescopes and fragments of memory or perception merge in chattily narrated anecdote peopled as casually with literary figures—Marguerite Duras, Simone de Beauvoir, and James Baldwin—as with Levy’s close friends and passersby she bonds with at fruit stalls or corner stores. ... The underlying project is a profoundly serious one, an investigation: In these memoirs Levy asks big questions about the way men and women coexist and the possibility, for a woman, of life as an artist." -Kirsten Denker, The New Republic
"An open-hearted examination of philosophy, relationships, and the meaning of home...[Levy] adroitly interweaves the tension between an artist’s — especially a female artist’s — need for solitude and need for family and friends ... With wit and insight, she takes us where few new books go: into the lively, varied, happy world of an intelligent older woman." -Patricia Schultheis, Washington Independent Review of Books